Lilith
Real Name: Lilith
Aliases/Nicks: Lilitu, Lili. Lillian.
Class: Unknown
Age: Unknown
Gender: Female
Height: 5 ft. 3 in.
Weight: 115 Ibs. - minus wings ~wink wink~ .
Hair: Black now
Eyes: Silvery grey now
Physical Form: Woman
Race: Human
Marital Status: Divorced? Separated… Widowed. ~LMAO~
Citizenship: Nod (Where ever Eden is not)
Place of Birth: … You’re kidding right?
Whereabouts: One might say a dark castle.. Nod. Within darkness.
Education: Learned on my own unless it refers to the arts that were not meant for this world… Then Seraphs are to blame.
Origin: Awaken consciousness, thus awoke darkness and sin. Created I was, in the same matter as Adam. Not from his rib, but by his side.
Known Relatives:
Father: He who cannot be named. Exiled by
Mother: None
Siblings: None
Children: Childers
Additional Information:
1. predecessor to Eve: in Hebrew Scripture, the first woman, believed to have been created before Eve
2. evil spirit of woman: in Jewish folklore, an evil spirit of a woman, believed to lurk in deserted places and attack children
3. Taught by Seraphs. Thrice they came and wanted me. To return to Heaven and live in peace. Thrice, did they fail and I released.
Lilith (Hebrew לילית) is a female demon figure found in Mesopotamian mythology and Jewish folklore, associated with sexual temptation, storms, disease, illness, and death. In some Jewish mystical writings she is said to be the first wife of Adam, who refused to lie under him, and voluntarily left the Garden of Eden. She was especially feared in medieval Judaism for her purported ability to harm young children, and amulets were once worn to protect children from Lilith's harm.
Historically, the figure of Lilith first appeared in a class of wind and storm demons known as Lilitu, in sumer, circa 3000 B.C.E. Corresponding versions of the demon were found in ancient Babylonian culture, eventually influencing the demonology of medieval Rabbinic Judaism. Lilith would become a part of Jewish lore as a night demon and was later adopted into Christianity as a "screech owl" in the King James version of the Bible.
Two primary characteristics are found in ancient and medieval legends about Lilith: first, she was seen as the incarnation of lust, causing men to be led astray, and, second, Lilith was viewed as a child-killing witch, who strangled helpless neonates. These two aspects of the Lilith legend seemed to have evolved separately, in there is hardly a tale where Lilith encompasses both roles.
The rabbinical story of Lilith offers an alternative view of the biblical creation story, seeing Lilith as Adam's first wife instead of Eve. Due to Lilith's supposed independence from Adam, she has been called "the world's first feminist."
Dead Sea scrolls
The appearance of Lilith in the Dead Sea Scrolls is somewhat more contentious, with one indisputable reference in the Song for a Sage (4Q510-511), and a promising additional allusion found by A. Baumgarten in The Seductress (4Q184). The first and irrefutable Lilith reference in the Song occurs in 4Q510, fragment 1:
"And I, the Instructor, proclaim His glorious splendour so as to frighten and to te[rrify] all the spirits of the destroying angels, spirits of the bastards, demons, Lilith, howlers, and [desert dwellers…] and those which fall upon men without warning to lead them astray from a spirit of understanding and to make their heart and their […] desolate during the present dominion of wickedness and predetermined time of humiliations for the sons of lig[ht], by the guilt of the ages of [those] smitten by iniquity – not for eternal destruction, [bu]t for an era of humiliation for transgression."
Akin to Isaiah 34:14, this liturgical text both cautions against the presence of supernatural malevolence and assumes familiarity with Lilith; distinct from the biblical text, however, this passage does not function under any socio-political agenda, but instead serves in the same capacity as An Exorcism (4Q560) and Songs to Disperse Demons (11Q11) insomuch that it comprises incantations – comparable to the Arslan Tash relief examined above – used to "help protect the faithful against the power of these spirits." The text is thus an exorcism hymn.
Another text discovered at Qumran, conventionally associated with the Book of Proverbs, credibly also appropriates the Lilith tradition in its description of a precarious, winsome woman – The Seductress (4Q184). The ancient poem – dated to the first century B.C.E. but plausibly much older – describes a dangerous woman and consequently warns against encounters with her. Customarily, the woman depicted in this text is equated to the "strange woman" of Proverbs 2 and 5, and for good reason; the parallels are instantly recognizable:
"Her house sinks down to death, And her course leads to the shades. All who go to her cannot return And find again the paths of life." (Proverbs 2:18-19)
"Her gates are gates of death, and from the entrance of the house she sets out towards Sheol. None of those who enter there will ever return, and all who possess her will descend to the Pit." (4Q184)
However, what this association does not take into account are additional descriptions of the "Seductress" from Qumran that cannot be found attributed to the "strange woman" of Proverbs; namely, her horns and her wings: "a multitude of sins is in her wings." The woman illustrated in Proverbs is without question a prostitute, or at the very least the representation of one, and the sort of individual with whom that text’s community would have been familiar. The "Seductress" of the Qumran text, conversely, could not possibly have represented an existent social threat given the constraints of this particular ascetic community. Instead, the Qumran text utilizes the imagery of Proverbs to explicate a much broader, supernatural threat – the threat of the demoness Lilith.
There are many more written about me, alas I am too lazy to find and remember them all. So I write and in time.. My story will be realized.
“Within these pages.. My thoughts and dreams are scribed